The papers we use for our lanterns
Discover the papers we use in our paper lanterns to work out which is right for you
Stories
- All
- Asada
- Book Review
- Ceramics
- Culture
- Events
- Fushitani
- Hoshino Yaki
- Keishugama
- Kihachi
- Kintsugi
- Kittaka Workshop
- Kuninari Kiln
- Lacquer
- Life
- Makuzu Yaki
- Morita
- Nomura Workshop
- Oumei
- Paper
- Sakata Workshop
- Sansho
- Shimokawa Workshop
- Shingama
- Sumo
- Takatori
- Tatsumi Kiln
- Textiles
- Yamamura Workshop
- Yanase Tobo
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Tea master Kobori Enshu
Elegant simplicity: from wabi-sabi to kirei-sabi
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Tanizaki Junichiro: Japan and Light
Soft, warm and intimate - how our lighting is different
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Artist, Artisan, Craftsman, Maker?
Japanese Craft and Shinto in the heart of lacquer country
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The Tatsumigama kilns
Naganuma san: Made from Fire and Earth!
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An Introduction to Kasuri
Traditional Japanese Yarn-dyed Indigo Weaving
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Aoyama Flower Market Selfridges
Aoyama Flower Market: “Living With Flowers Everyday”
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Wabi-sabi and natural interiors
Natural interiors: Beauty in the not-so-perfect
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Traditional Japanese Tableware
A handy guide to a Japanese place setting
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Wabi-sabi & Architecture
The Metabolists: impermanence in architecture
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Wabi-Sabi & Zen: which came first?
The roots of wabi-sabi go deeper than Zen
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How we find products
Sampling with Oumei Kamamoto and the Takatori family
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Come and see us at the Truman Brewery
London's premier international design fair
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Kentaro Imai - sento and design
Sento Supremo: wabi-sabi onsen design!
